FizzDragon的AI数字演员的武打戏(AI互动影游“风雨明城墙”的剧情片段)。有几点个人的判断:1、今天的AI和两年前的AI已经不可同日而语了,“AI数字演员”不仅能拍戏,其实真人演员拍不出来的——反而是AI数字演员能拍出来;2、AIGC是结构性变化趋势,什么是结构性变化?就是这个行业完全是从“无”到“有”——却又在底层对传统行业整体性替代;3、分享一个数据:目前中国AI短剧已经在海外杀疯了,但是依然有巨大的市场:因为我们现在中国AI短剧在海外每天的日活用户大概是6000万,但保守估计海外的AI短剧日活用户最少应该是6亿;4、比“做”得出来更重要的是“卖”得出去。到苏州、到南京、到杭州、到FizzDragon的全球创作者基地来做进军海外的精品AI剧集,因为你在国内做根本赚不到钱(10000播放就给你5-8块钱),在FizzDragon做全球精品AI剧集,做出来FizzDragon直接就帮你卖到全世界了(我们已经链接打通马来西亚1700万户家庭的电视和手机,全球195个国家和地区近4亿用户的手机)。
The martial arts drama of FizzDragon's AI digital actors (plot clips from the AI interactive video game "Wind and Rain Ming City Wall"). There are several personal judgments: 1. Today's AI can no longer be compared with AI two years ago. "AI Digital Actors" can not only shoot films, but in fact, what can not be filmed by live actors; 2. AIGC is a structural change trend, what is a structural change, that is, this industry is completely from "nothing" to "have", but it replaces traditional industries as a whole at the bottom. 3. Share a data: at present, Chinese AI skits have gone crazy overseas, but there is still a huge market, because we now have about 60 million daily active users of AI skits overseas, and it is conservatively estimated that the daily active users of overseas AI skits should be at least 600 million. 4. What is more important than "doing" is to "sell". To Suzhou, to Nanjing, to Hangzhou, to FizzDragon's global creator base to do overseas boutique AI series, because you can't make money at home (if you play it in 10000, I'll give you 5-8 yuan), do global boutique AI series in FizzDragon, and FizzDragon will directly help you sell it all over the world (we have linked to the televisions and mobile phones of 17 million homes in Malaysia and nearly 400m users in 195 countries and regions around the world).