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网红始祖
She is almost two and a half thousand years old. And carries a burden of expectations.
Long considered the embodiment of the feminine ideal, this statue has been the ultimate social influencer. Numerous copies in various iterations were made by everyone from the Romans through the Renaissance to the nineteenth century, owned by the wealthy and influential, she was the original viral sensation, setting the standard for the artistic depiction of female beauty which in turn set the standard in real life.
Balanced uncomfortably, trying complete her beauty routine while to protect her modesty, it seems nothing much has changed. The rules persist:
Between the model and artist.
Between the artist and client.
Between the work and the viewer.
Between the women and men.
The weight of expectation.
Begat the rules of engagement.
——
The Rules of Engagement
Matthew Quick
She is almost two and a half thousand years old. And carries a burden of expectations.
Long considered the embodiment of the feminine ideal, this statue has been the ultimate social influencer. Numerous copies in various iterations were made by everyone from the Romans through the Renaissance to the nineteenth century, owned by the wealthy and influential, she was the original viral sensation, setting the standard for the artistic depiction of female beauty which in turn set the standard in real life.
Balanced uncomfortably, trying complete her beauty routine while to protect her modesty, it seems nothing much has changed. The rules persist:
Between the model and artist.
Between the artist and client.
Between the work and the viewer.
Between the women and men.
The weight of expectation.
Begat the rules of engagement.
——
The Rules of Engagement
Matthew Quick
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约阿希姆·帕提尼尔（Joachim Patinir，约1480 - 1524年10月5日)，佛兰德文艺复兴时期历史和风景画家。帕提尼尔是第一个以画风景画为主的佛兰德画家。
他开创了名为世界风景（world landscape）的题材——从高处俯瞰的全景视觉，包括高山、低地、水面和建筑物。画面通常描绘圣经或历史，但人物与其环境相比显得微不足道。
《卡隆渡过冥河》描绘的是维吉尔《埃涅阿斯纪》和但丁《神曲》中的经典主题。右边是帕提尼尔对地狱的想象，明显被博斯影响。地狱大门前是三头犬 Cerberus。船上的老者是卡隆——冥王哈得斯的船夫，负责将死者渡过冥河。船上的死者灵魂最终选择面向地狱，无视左边的天堂河岸和天使。
艰难时世，不 my pace 一下怎么撑下去
t.cn
他开创了名为世界风景（world landscape）的题材——从高处俯瞰的全景视觉，包括高山、低地、水面和建筑物。画面通常描绘圣经或历史，但人物与其环境相比显得微不足道。
《卡隆渡过冥河》描绘的是维吉尔《埃涅阿斯纪》和但丁《神曲》中的经典主题。右边是帕提尼尔对地狱的想象，明显被博斯影响。地狱大门前是三头犬 Cerberus。船上的老者是卡隆——冥王哈得斯的船夫，负责将死者渡过冥河。船上的死者灵魂最终选择面向地狱，无视左边的天堂河岸和天使。
艰难时世，不 my pace 一下怎么撑下去
t.cn
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#城市的一万种可能 虽然我不喜欢法式风情。但我喜欢拿破仑和古埃及呀～所以我想生活在巴黎卢浮宫隔壁。
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本文源于查毕加索创作时期的价值排行，越查越过瘾，挖出这看似巨大却被「冷落」的冰山。比起其他大师，喜欢毕加索的人如此少，对他的关注点又总是跑偏。其实理解和思索毕加索的本身就很有价值，让人满心欢喜。
你才不会看不懂毕加索（从各时期价格排行谈起）
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不抖机灵，就是吹爆
定位笑死
定位笑死
你有没有看一眼就爱上的文物？
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